Studiobird is an award winning multidisciplinary practice realising bespoke projects in the fields of Architecture, Interior Architecture, Interior Design, Installation Art, Performance Art, Moving Im

Matthew Bird is an architect and artist who embraces an inventive process of reimagining ideas, symbols and materials to create interactive multifaceted worlds that offer meaning and complexity.

Experimental Architecture

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Aviary
Paradis
Installation & Performance Art
Premiered at Melbourne Festival 2011.
Toured at MONA FOMA, Theatre Royal Hobart 2012
& Teo Otto Theater Remscheid Germany 2014

'Aviary, A Suite for the Bird is a soaring treatise on the impulse toward spectacle and display, a flamboyant dance performance of exotic birdlife and uncommon adornment… The finale is a staged courtship of avian behaviours and in particular the New Guinean birds of paradise and the bowerbird…’ - Phillip Adams

01 - 04
Aviary Pardis
2011-14

The handcrafting creation of bower nests replicated the behaviour of the bowerbird by gathering urban materials and reimagining them into alluring spatial and immersive worlds via precise articulation of intuitive pecks, wefts and warps.

Recycled materials such as nylon bird netting, hydraulic hose, trailer reflectors, cable ties were hand-woven into black netting via an intuitive if not hypnotic state of mind over a period of three months.

A variety of references informed the anachronistic form and pattern of the bower nests and environment, including Yves Klien’s monochrome ‘Blue Epoch’ artwork ‘IKB 191, 1962’, modernist Architect Gio Ponti’s seashell patterns within hotel Parco Dei Principi, temples & tepees and the weaving habits of New Guinean tribes.

The jungle paradise was reinforced with a perforated silver reflective backdrop and green foliage clippings collected from local gardens and erratically dispersed throughout the duration of the finale.

Premiered at Melbourne Festival, Arts House North Melbourne Town Hall 2011. Toured at MONA FOMA, Theatre Royal Hobart 2012 and Teo Otto Theater Remscheid Germany 2014.

“The tepee form, suggests Bird, is a pure, or enlightened, form. The steel framework provides an infrastructure for the recycled, en masse collection of materials – a mountain of stuff foraged by Bird over a period of six weeks. The work is assembled via instinctual testing of the geometry and fixing of the individual parts. ”

“Nicole Kalms”
Media
AVIARY
NICOLE KALMS
ARTICHOKE MAGAZINE
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01 - 05
01 - 04
Details

CategoryInstallation & Performance Art

Location Melbourne Festival, MONA FOMA, Teo Otto Germany

StatusCompleted

Year2011

Collaborators-

PhotographyPeter Bennetts

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